The designer makes a strong case for the return of colour blocking for Spring Summer 13
/var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-rs13-3290-paul-smith-women-london-spring-summer-2013/14323588-1-eng-GB/paul-smith-rs13-3290_CC.jpg /var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-rs13-3290-paul-smith-women-london-spring-summer-2013/14323588-1-eng-GB/paul-smith-rs13-3290_C0.jpg iMAXTREE
/var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0001-paul-smith-women-london-spring-summer-2013/14323581-1-eng-GB/paul-smith-spring-summer-13-0001_CC.jpg /var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0001-paul-smith-women-london-spring-summer-2013/14323581-1-eng-GB/paul-smith-spring-summer-13-0001_C0.jpg iMAXTREE
/var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0002-paul-smith-women-london-spring-summer-2013/14323574-1-eng-GB/paul-smith-spring-summer-13-0002_CC.jpg /var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0002-paul-smith-women-london-spring-summer-2013/14323574-1-eng-GB/paul-smith-spring-summer-13-0002_C0.jpg iMAXTREE
/var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0003-paul-smith-women-london-spring-summer-2013/14323567-1-eng-GB/paul-smith-spring-summer-13-0003_CC.jpg /var/elleuk/storage/images/catwalk/designer-a-z/paul-smith-women/spring-summer-2013/collection/paul-smith-spring-summer-13-0003-paul-smith-women-london-spring-summer-2013/14323567-1-eng-GB/paul-smith-spring-summer-13-0003_C0.jpg iMAXTREE If Paul Smith took a picture of a Mondrian painting with Instagram then this is the collection he might have come up with. Blocked colours in a palette of forest greens, sunshine yellows, flashes of salmon pink and misty turquoise were an exercise in restraint.
The colours were blocked throughout but were divided into two strict categories: the girls and the boys. They came two by two: girls who like boys wearing the classic mannish tailoring that Paul Smith made his name with - narrow cut shirts and slim shorts, with feminine details such as a mustard yellow lace cuff or some pink silk panels.
The girls who like girls wore billowing floaty dresses cut to hang from the shoulder and flow in an a-line shape to mid calf. Sail-like, the dresses were punctuated with blocky diagonal stripes and panelled with swatches of sheer chiffon or navy lace. Heaven for a breezy summer's day. And, when paired with the simple silk or white leather smoking slippers that were worn throughout, really rather cool.