The show’s execution was slick and considered; the theme—which of course hinged off Conran’s signature minimal style—was a cohesive selection of precision cut cashmere and elegant tailoring.

The palette ran in a pleasing tonal stream. From creamy camel, through to chocolate, into mink and then into slate grey; the cool, quiet of the collection riffed nicely against the Donna Summer soundtrack. But other than the brushed bronze leather and a modicum of gold glitzy embellishment there was nothing disco nightspot about this collection. It was pure and simple in aesthetic—with every piece both day and evening appropriate.

A peek of marabou feathers, shiny bright gems woven into wools, and a pom-pom smattered prom dress injected the texture necessary to break up the purity. It felt a touch sixties, with collarless jackets, bouclé collars and half belts, but then again it felt entirely modern, because that’s what Jasper does best; a timeless, minimal aesthetic that transcends era.