Celebrity Bridal Beauty Through The Years

Ingrid Bergman wed Petter Lindström in a caged juliet cap and pin curls in 1937.

For her controversial 1937 wedding to Edward VIII, the Duke of Windsor, Wallis Simpson donned a halo shaped hat rather than a veil, which she paired with her soft blue gown and a stunning diamond and sapphire brooch at her neck.

At the age of 16, Marilyn Monroe (who then went by her given name, Norma Jeane) married Jim Dougherty in 1942. Her coiffed hair and traditional veil were a classic choice for the first of her three wedding days.

Queen Elizabeth II has maintained a style sense of classic-with-a-twist for decades. Case in point: her undeniably classic bridal look for her wedding to Prince Phillip in the late '40s, in which she donned an undeniably 'bridal' look–paired with a tiara with some edge.

Elizabeth Taylor, arguably the queen of weddings and inventive bridal styling, opted for classic and traditional when she wed Conrad Hilton in 1950. The bride paired her look with an encrusted tiara and a full, fingertip-length veil.

For her 1951 wedding to Frank Sinatra, Ava Gardner embodied the classic, coiffed trends of the time–appearing polished and the best version of her on-screen self. A bit of a break in tradition, Gardner opted to skip the veil for her third marriage.

Before Bardot became the quintessential blond bombshell we all remember, she wed her first husband, Roger Vadim, in a winter wedding with a short haircut, minimal makeup and a circular cap, to which her appliquéd veil was attached.

Elizabeth Taylor began her love of bridal hair flowers with her curly crop for her wedding to British actor Michael Wilding in 1952.

For her wedding to JFK, Jackie O opted for a natural yet polished look to complement her Ann Lowe portrait-neckline gown. She accented her look with an all-lace veil tucked into a soft juliet cap with fabric flower appliqués.

For her wedding to Mel Ferrer, Audrey Hepburn completed her mock-neck look, designed by Pierre Balmain, with a flower crown of white roses. It appears that Hepburn ushered in this Coachella-credited trend that's become ubiquitous in modern-day boho bridal–despite hers being anything but hippie.

For her best known nuptials, her elopement to baseball great Joe DiMaggio in 1954, Monroe kept it simple and dressed like the best, most recognizable version of her on-camera persona: blond as can be, a pin-curled bob and enviable lashes.

For her iconic wedding to Price Rainier of Monaco in 1956, Grace Kelly wore a red-hued lip, a floral-adorned crown and veil and natural, yet defined, eye-liner. Her look, while undeniably classic, was also incredibly fashion-forward and continues to be a source of bridal beauty inspiration.

Marilyn's final walk down the aisle, this time with playwright Arthur Miller, was the perfect combination of fashion-forward and timeless. Monroe opted for her classic look, paired with an atypical chin-length veil to complement her body-con, cocktail-length dress.

No stranger to bridal beauty, Elizabeth Taylor opted for bombshell glamour and effortless, voluminous waves for her 1957 wedding to Michael Todd.

In keeping with stars dressing for their weddings the way they would on-screen, Brigitte Bardot looked like the ultimate beach-blond bombshell for her 1959 wedding to Jacques Charrier. The starlet made her eyes (via a wide liner) the focal point, and kept hair breezy and her lip a natural shade of just-bitten pink.

For her fourth marriage to Eddie Fisher in Las Vegas after the death of Michael Todd (Fisher was the best man in Todd and Taylor's wedding and the father of Carrie Fisher), Elizabeth Taylor opted for a bridal headscarf in the same unconventional hue as her dress, winged liner and a mauve-meets-pink lip.

Elizabeth Taylor's first (of two) weddings to Richard Burton–which took place nine days after her divorce from Eddie Fisher–resulted in some of the most iconic bridal hair to date. Case in point: her unbelievable fresh-flower adorned, extra-long twisted ponytail for their vow exchange in 1964.

Mia Farrow wed Frank Sinatra in Dior–and in an easy, gamine pixie cut that has come to epitomize the best in chic, sweet and mod bridal hair.

Liza Minelli's wedding, just one year after Farrow's, followed suit in regard to the short crop she donned, but Minnelli chose to go in a different direction with her makeup. Rather than barely-there, the singer and actress chose a cat wing liner that felt like a sultry contrast to her super-conservative wedding gown.

When Priscilla and Elvis Presley wed, the young bride set the tone for the best in rock-and-roll bridal vibes: short dress, big hair, whimsical tiara and a voluminous veil–paired with wide, winged eyeliner.